The response to the launch of the transcription for Celandine has been amazing and I'm both happy and humbled that so many of you have dedicated your time to learning this piece of music. Thank you.

As seen on YouTube!

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The opening track from my debut album Vetiver is one of my most popular pieces and many of you have been in touch asking for the score. It's been a long time coming but I am thrilled to announce that…

I was first introduced to the music of Willy Porter by Jason Kostal several years ago and I've been looking forward to meeting the man himself in person ever since. Willy is currently on tour here in the UK and…

Luthier Jason Kostal is rightly recognised for his attention to detail at all stages in the guitar making process and during my recent visit to his workshop in Phoenix Arizona we had a chat about the importance of string choice…

The desert is a weird place. And there's a lot of it. Especially in-between Phoenix and Spring Branch... 

It was this desert that Jason Kostal and I would traverse in an epic 1000 mile road trip through Arizona, New Mexico…

I'll just leave this here... I hope you enjoy it!

Do please share, comment etc. Your support means a lot to me. If you'd like a closer look at the mic set-up, well it's two pairs of Gefell M300's and…

So here's the thing, I know nothing about tangos, literally nada. My only real tango experience was that scene in Scent of a Woman where Al Pacino dances with Gabrielle Anwar. Maybe that hit me at a formative age, who…

If you haven't heard the name Emma Tricca then where have you been? Obviously not at one of Nick Mason's Saucerful of Secrets European concerts where Emma supported the band in historic venues like London's Roundhouse, Berlin's Tempodrom and the…

Massive congratulations to filmmaker Jessica Savidge who won not one, but two Telly Awards  for this short film showcasing the work of the Kostal Guitars! It was a great honour to hear that she had chosen my piece Celandine…

I firmly believe The Fretboard Journal to be one of the gold standards for printed guitar journalism worldwide and the magazine itself is truly a thing of beauty. One thing you don't get in the hard copy, of course, is…