I’m going through an exploratory phase at the moment - seeking out different sounds and textures, expanding my range. This is an ongoing process and I would recommend that all guitarists spend time getting to know different guitars.
![](http://d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/9846/8b4fceeb67b3f96264d17a3a9acd8297c823644d/original/carlos-l1-1932-002.jpeg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==)
I have started exploring vintage guitars, and in particular the sound of a vintage guitar with old strings on it. Many players I know swear by this approach. I have sworn at it. For years. But if we are to unlock the truth of the guitar then surely a deeper understanding is in order?
![](http://d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/9846/b374bde0742f5b690a25fcde69dd7938fa632332/original/carlos-l1-1932-003.jpeg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==)
This performance on a 1932 Gibson L-1 represents the first little part of this series. I hope you enjoy it.
Until next time, stay tuned
Michael